From the Xirê to the Stage: The Embodied Knowledge of the Dance of the Orixás and its Scenic Transposition in Grupo NATA’s Sirê Obá

Authors

  • Patrick Campbell Manchester Metropolitan University, UK

DOI:

https://doi.org/10.30817/071.apr0117

Downloads

Download data is not yet available.

Downloads

Published

03-01-2013

How to Cite

Campbell, P. (2013). From the Xirê to the Stage: The Embodied Knowledge of the Dance of the Orixás and its Scenic Transposition in Grupo NATA’s Sirê Obá. African Performance Review, 7(1), 31–34. https://doi.org/10.30817/071.apr0117