From the Xirê to the Stage: The Embodied Knowledge of the Dance of the Orixás and its Scenic Transposition in Grupo NATA’s Sirê Obá
DOI:
https://doi.org/10.30817/071.apr0117Downloads
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Published
03-01-2013
How to Cite
Campbell, P. (2013). From the Xirê to the Stage: The Embodied Knowledge of the Dance of the Orixás and its Scenic Transposition in Grupo NATA’s Sirê Obá. African Performance Review, 7(1), 31–34. https://doi.org/10.30817/071.apr0117
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