Vol. 3 No. 3 (2009): Volume 3, Numbers 2-3

Published: 08-01-2009

Editorial

Editorial

Chukwuma Okoye

7-13
- PDF

Interview

Interview with Professor Femi Osofisan

Olu Obafemi

15-25
- PDF

Articles

Dramatising Development, not Post-colonialism: The Femi Osofisan Example

Izuu Nwankwo

27-44
- PDF
Osofisan's Dramaturgy and the Revolutionary Streak: The Concept of Messianism in Morountodun and Yungba Yungba and the Dance Contest

Julie Umukoro

45-55
- PDF
Performance in His Blood: Performative Rhythms in Femi Osofisan's Writings

Tracie Chima Utoh-Ezeajugh

57-68
- PDF
Set and Lighting Designs as Communication Modes in Femi Osofisan's Morountodun

Aminat Titilayo Adebayo

69-81
- PDF
Playing to Reconcile: Osofisan's Theatre and the Nigerian Polity

Daniel Udo

83-93
- PDF
Femi Osofisan, Youth and Performancein Nigeria's Democracy: The Transformative Theatre Paradigm

Tor Iorapuu

95-113
- PDF
Dramaturgical Importance of Music in Modern Nigerian Drama

Josephine Mokwunyei

115-128
- PDF
Issues of Freedom and Sustainable Development in Select Works of Femi Osofisan

Ikotinyie James Eshiet

129-144
- PDF

Review

Book Review

Sam Kasule

145-147
- PDF
Performance Review

Flavia Kyambadde

148-149
- PDF

Report

AfTA 2009 Conference Report

Naomi Nkealah

150-155
- PDF